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FANNY HOWE
Poetry that is as "rich as it is unpredictable"*
with graduate poet
Yosefa Raz
Wednesday October 25th
6:30pm

The Maude Fife Room
Q&A with the author to follow
Read a sample of her work

One of the most widely read experimental poets today and the author of over twenty books of poetry, fiction, and essays, Fanny Howe hardly requires introduction to the Bay Area poetry community. Howe’s wiry lyrics construct spaces of unsparing sincerity in which to examine and interrogate the embodied qualities of moral abstractions like mercy, guilt, and awe. Scouting through the complex textures of Christian symbolism, she weighs spiritual and political ethics on the same scale, working through their linguistic manifestations in a spirit of true inquiry, an openness to revelation that always remains unflinchingly open. With urgency and subtlety, Howe practices the radicalism of reflectiveness. The meaning of suffering, the thickness of matter, and the prospects of getting cozy in a vertiginous state of spiritual suspension are the grounds of her explorations.
Fanny Howe has won awards from the National Endowment for the Arts, the National Poetry Foundation, the California Council for the Arts, and the Village Voice, among others, and has taught creative writing at several universities, including Tufts, Columbia, Yale, and MIT. She is Professor Emerita of Writing and Literature at the University of California at San Diego. Her most recent publications include On the Ground (Graywolf, 2004), Gone (2003), The Lives of a Spirit / Glasstown: Where Something Got Broken (Nightboat Books, 2005) and a collection of essays, The Wedding Dress: Meditations on Word and Life (University of California Press, 2003).

Fanny Howe will be introduced by UC Berkeley English PhD Candidate, Natalia Cecire.

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*"One of our most honored poets. . . . Howe returns with a work as rich as it is unpredictable--and nicely pared to the essence."--Library Journal