RACHEL LEVITSKY
Avant-Garde poetry that manages to be smart, funny and "committed to social and spiritual change."
With Gillian Osborne
Avant-Garde poetry that manages to be smart, funny and "committed to social and spiritual change."
With Gillian Osborne
Thursday
November 15th
6:30pm
The Maude Fife Room
Q&A Session to Follow
November 15th
6:30pm
The Maude Fife Room
Q&A Session to Follow
*
Read a sample of her work
here
*Download an event flyer
here
Rachel Levitsky’s first full
length volume, Under the Sun was published
by Futurepoem books in 2003. She is the author of
five chapbooks of poetry, Dearly (a+bend,
1999), Dearly 356, Cartographies of
Error (Leroy, 1999), The Adventures of
Yaya and Grace (PotesPoets, 1999) and
2(1x1)Portraits (Baksun, 1998). Levitsky
also writes poetry plays, three of which (one with
Camille Roy) have been performed in New York and
San Francisco. Levitsky’s work has been
published in magazines such as Sentence,
Fence, The Brooklyn Rail, Global
City, The Hat, Skanky
Possum, Lungfull! and in the
anthology, 19 Lines: A Drawing Center Writing
Anthology. She founded Belladonna--an event
and publication series for avant-garde poetics in
August 1999. A past fellow of The McDowell Colony
and Lower Manhattan Community Council, she teaches
at Pratt Institute and lives steps away from The
Brooklyn Botanical Gardens.
To step into the changeable, gleeful poetic
architecture of Rachel Levitsky's book Under
the Sun is to step into a space in which the
boundaries between and among human beings are in a
a constant state of change. Levitsky wants to
connect an increasingly fragmented society, and
"words are the politically charged material of
exchange that occasions her desire" (Dale Smith,
Jacket). The resulting poems are
quick-witted, philosophically rigorous and visually
surprising. Perhaps most interesting of all is that
the fact that though the poems do make palpable the
poet's desire for "social transformation," they
also reveal what can only be described as
tenderness for the very confused and
inadquate social structures she interrogates.
Revision, in these poems, is a kind of love.